Creativity has been part of my life for as long as I can remember. Already as a kid, I was constantly drawing, painting, and creating things. But for a long time, though, it wasn’t something I imagined turning into a career.
I spent years working in organisation and office management until, in 2019, I moved from Poland to Canada. It's the time when I started travelling more. During a filmmaking retreat in Thailand hosted by Gene Nagata, better known as Potato Jet, something really clicked for me. Video stopped being something I was simply curious about and became something I wanted to pursue more seriously.
Over pandemic, I went on to develop my skills across filmmaking, editing, marketing and visual content, eventually building Visual Beesy around the combination I enjoy most: creative ideas, practical production and turning footage into something genuinely useful for the client.
My work has since been recognised by the FCP Global Summit Film Festival and Motion Array, and featured by Artlist. I’ve worked with clients in Europe and North America, filmed events in different countries and created everything from commercial and branded content to personal stories and experimental projects.
For more than a decade I’ve also been connected to dance, making the movement naturally something that catches my eye. I notice rhythm, body language, and small gestures.
Another big part of my life is travel. I’ve lived abroad in France and Canada, spent many months in different countries across the globe and kept finding reasons to explore new places, cultures and ways of living.
I’ve always been the person who notices the unusual building, the tiny detail in a room or the moment happening just outside the obvious frame.
I think that has naturally shaped the way I frame things, whether I’m filming or taking photographs. I’m drawn to interesting compositions, light, space, small details and fleeting moments that are easy to miss. Those are often the elements that give an image character and make a place or experience feel real on screen.
It’s also one of the reasons I enjoy projects connected to travel, hospitality, events and experiences. They combine several things I’m naturally drawn to: people, dance, food, place and story.